Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Jjean-Marc nattier
Portrait of Baronne Rigoley d'Ogny as Aurora,
new24/Jjean-Marc nattier-445785.jpg
ID: 74285

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Jjean-Marc nattier Portrait of Baronne Rigoley d'Ogny as Aurora,


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Madame Henriette de France as a Vestal Virgin | Portrait presume du duc de Bourgogne | Portrait of Marie-Anne de Bourbon-Conde | Portrait of Mathilde de Canisy, Marquise d'Antin | Portrait of Mathilde de Canisy, Marquise d'Antin |
Related Artists:
David Martin
painted Portrait of Elizabeth Rennie, Viscountess Melville in 1750-1847
James Seymour
British Painter , ca.1702-1752 English painter and draughtsman. The son of James Seymour (d 1739), a dealer in pictures and precious metals, Seymour was among the first English painters to specialize exclusively in sporting subject-matter. Though he possibly received some informal drawing instruction from the topographer Francis Place, Seymour was essentially a self-taught artist whose education was based on the study of pictures that passed through his father's hands; one of his earliest known works is a sketch of a horse's head after van Dyck (sold London, Christie's, 16 June 1970). His early 'genius to drawing of horses' was, according to George Vertue, compromised by 'modish extravagances' through living 'gay high and loosely' and because he 'never studied enough to paint or colour well'. Elsewhere, however, it was recorded that by 1739 he was 'reckoned the finest draughtsman in his way [of horses, hounds etc.] in the whole world' (Universal Spectator, 1739), and he was certainly preferred to his chief rival, John Wootton, by many sporting patrons. Among his employers was William Jolliffe MP, of Ammerdown. Though many of his paintings are either derivative of Wootton or simply inept, or both, others are characterized by a self-conscious stylistic naivety in which meticulous attention to detail and eerily static compositions combine to create curiously memorable images of some apparent sophistication.
charles billoin
1813-1869






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